E howard burger prints5/28/2023 ![]() It remained in the Aldobrandini family and then passed through the hereditary line to the Pamphilj and Borghese families. By the mid-seventeenth century, the Coronation of the Virgin was recorded in the Aldobrandini Villa at Monte Magnanapoli on the Quirinal in Rome (Bellori 16, Malvasia 1678). It is likely to have been a devotional image for the cardinal, and may have been used as an altarpiece in his private chapel. The original purpose of the canvas is also not known. It has been suggested (Loisel Legrand 1999) that the painting was a diplomatic gift to Aldobrandini-possibly from Odoardo Farnese. It is unclear if the Coronation of the Virgin was originally painted for Aldobrandini he owned several works by the artist, including the Domine Quo Vadis? in the National Gallery, London. The painting is first documented in the inventory of 1603 of the possessions of Cardinal Pietro Aldobrandini, Pope Clement VIII’s nephew. ![]() ![]() The Coronation of the Virgin dates from Carracci’s first years in Rome, from the time when the artist was frescoing the Camerino of the Farnese Palace for Cardinal Odoardo. The Artist: For a biography of Annibale Carracci, see the Catalogue Entry for Two Children Teasing a Cat ( 1994.142) The Picture: Around 1595 the Bolognese painter Annibale Carracci moved to Rome, where he started to work for Cardinal Odoardo Farnese.
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